‘Crash’ Review: Beyond the Bounds of Sanity
David Cronenberg‘s controversial 1996 opus, Crash, is about as controversial as a film can be without being banned outright. However
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Reviews
‘Candyman’ Review: 2021’s Biggest Disappointment
Though the original Candyman from 1992 never reached the status as Jason from Friday the 13th or Freddy Krueger from A Nightmare on
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‘First Love’ Review: Violent, Funny, Sweet, One of a Kind
Takashi Miike‘s career is an odd one considering he’s made something close to 100 movies ranging across all genres and
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‘Annette’ Review: Strangeness as a Strength, and a Weakness
Much of the talk coming out of Cannes this year surrounded a handful of movies that took major creative risks,
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‘Free Guy’ Review: Great Concept Held Back By Generic Cliches
Free Guy feels like a movie of two halves. The first half is a movie that has a creative premise
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‘Baran’ Review: Award Winning Drama Still Holds Up
Baran is truly a foreign film, not only in that it is Iranian and entirely in the Persian and Azeri
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‘The Suicide Squad’ Review: A Genre-Bending, Tone-Shifting, Fun Thrill Ride
The Suicide Squad is one of those perfect concoction of a movie that would fall apart completely without a good
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‘The Empty Man’ Review: Best Creepypasta Movie Ever Made
Fans won’t let this horror movie flop be forgotten.
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The Kid Detective Review: Adam Brody’s Strong Performance Complements Charming Spin on Film Noir
It’s not often that something somewhat refreshing yet comfortable comes along and really charms its way into your brain. I’m
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‘Old’ Review: Interesting Premise Weighed Down by Baffling Script
Why does every M. Night Shyamalan movie feel like it’s on the edge of brilliance but just misses the mark?
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