House of Gucci Review: Flamboyant Performances, Beige Storytelling
Any fan of our podcast will tell you that we here at Under the Wheels are fans of Sir Ridley
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Movies
‘The Power of the Dog’ Review: Excellence in Contradiction
Jane Campion‘s return to the screen has been long awaited by film nerds, and while a deal with Netflix and
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The Last Duel, Let There Be Carnage, and the PG-13 Economy
A few months ago I talked about the box office bust that was The Suicide Squad (which is still one
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‘The Harder They Fall’ Review: All in on Style
The Harder They Fall has been one of Netflix’s buzzier releases in recent months, and while it falls shy of
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‘The French Dispatch’ Review: A Fun Confection
As Wes Anderson‘s career evolves, his movies only seem to lean harder into his idiosyncratic style, for better or for
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‘No Time to Die’ Review (Spoilers)
A lot has been made about No Time to Die being the last Bond movie from Daniel Craig, who reinvented
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‘Venom: Let There Be Carnage’ Review: Doubling Down on Dumb
The most surprising thing about 2018’s Venom was how popular it ended up being given how bad it was. A
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‘Venom’ Review: Equal Parts Fun and Terrible
Venom isn’t a good superhero movie. For all its attempts at seriousness, being edgy, cool, and socially relevant, the
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‘Malignant’ Review: A Gruesome Farce
I have never seen a James Wan horror movie until Malignant, which probably makes me one of the least qualified
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‘The Piano’ Review: The Power of the Dong
Kiwi filmmaker Jane Campion‘s 1993 drama The Piano is considered to be one of the best films ever made and
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